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Walled Gardens are Useful

I try not to talk too much about social networks in this space, because video is topic numero uno. But. I'd like to address a recent post on Steve Rubel's Micropersuasion, which posited that Facebook detracts from the Web community by being a walled garden almost insurmountable by search engines.

The key grafs compare media and other walled gardens, like Facebook, to New York's Gramercy Park. "Can walled gardens continue thrive in an era of openness," Steve asks. "Can a social network be social even though so little of the community's value is visible to the outside world?"

The answer, duh, is yes. And the Gramercy Park analogy isn't a good one.

Facebook remains a walled garden because exclusivity creates demand. Privacy also creates demand, and privacy creates a sense of community. Hence Gramercy Park is an excellent example, but not for the reasons either Rubel or Jay Rosen (whom Rubel quoted) posit.

Take Jane Jacobs' example in The Death and Life of Great American Cities, the signature work of urban planning in the last half-century. Jacobs on Gramercy: "Since it is blessed with splendid trees, excellent maintenance and an air of glamour, it successfully provides for the passing public a place to please the eye, and so far as the public is concerned this is its justification...parks do their job well when they do it beautifully and intensely, not perfunctorily."

Jacobs' views on the utility of parks as social connectors are too complicated to go into fully here. But if we're going to continue with the urban planning/social network analogy, I would suggest that Facebook and Gramercy Park both be noted as extremely successful, extremely high value destinations. Neither suffer from any so-called "burden of locked gates." Quite the contrary: They raise the value of adjoining properties, and they create a sense of community. Not all communities need to be egalitarian.

Fag beasts and bloody flags

Via Internet celeb Katie Danger, found on Break.com, and sung to the tune of We are the World:

God hates the world (he hates you) / and all her people (that means you)
You every one face a fiery day / for your proud sinning (just obey Him!)
It's too late to change His mind / you lived out your vain lives
storing up God's wrath for all eternity.

For more uplifting songs of hope, don't forget about GodTube.

The Exorcist of Emoticons

Googlesmiley

Just a brief note to say that the smiley face emoticon in Gmail is really starting to freak me out. You type it, it's sideways, then it rotates 45 degrees while morphing into a creepy GIF image. The winking smiley, the one you type with a semicolon -- that one actually winks at you. Just stop it. Stop stop stop stop stop.

Four Eyed Monsters vid on YouTube earns $20k

Foureyedmonsters
Four Eyed Monsters, the 71-minute film posted on YouTube recently, has garnered its creators about $20k in referral payments from Spout.com. The film chronicles the dating life of its creators, who stopped speaking and communicated only through written notes. Sorta like an artsy Passiveagressivenotes.com. I can't tell you how much I dig this film, though it's more a documentary about using online video as a springboard. Great soundtrack.

Eisner's Vuguru to announce new Web series

Fresh from success with Prom Queen, Michael Eisner's Vuguru is teaming up with Dinosaur Diorama Productions, creators of popular web series The 'Burg, to produce a series called The All-For-Nots."

And get this: The series is about a fictional documentary crew following a fictional band on a real tour across the United States. How's that for meta. The band will visit 24 cities during the filming of the show, and each show will be 7-10 minutes long.

No word on when the series will air. In the meantime keep your eyes out for "Prom Queen Summer Heat," which will air in August.

Devil's Trade

Devilstrade

The best performance in Devil's Trade comes from a piece of bark. The bark belongs to a cursed tree in New Jersey (played quite capably by a normal tree outside Los Angeles) which, in the course of this web-only horror series, lures one teenager into jumping from a speeding car, gets another run over by a truck, and mimics briefly the burning bush from Exodus. You'd be pissed, too, if you were planted by the turnpike. 

The FEARnet series wouldn't be of much note, except for two details: It's in line with a series of horror shorts that are finding their way to the Web, and it's executive produced by Sam Raimi, director of the brilliant Evil Dead trilogy and writer/director of the plodding interminable just damn bad recent Spider-Man 3. This is his first credited project post-webhead.

Devil's Trade is directed by FX journeyman Toby Wilkins (inferno artist on Scooby-Doo 2, Not Another Teen Movie), and it's pretty and well-produced. But it also consistently fails to frighten and ends with a surprise twist that’s less dramatic than desultory. 

The series follows the misadventure of a goth-obsessed student named Darren who, on a lark, buys a "cursed" piece of bark from devilstrade.com. The bark, bent into the shape of a cross and taken from the cursed Jersey tree – as if there's only one cursed piece of flora in the garden state – arrives in the mail and immediately curses Darren, who begins coughing blood. Busty sister Anna then starts to see visions of herself coughing blood. Boyfriend Jim, after trying to burn the bark on a Weber grill, levitates and nearly chokes to death. Then it’s off on a roadtrip to find the previous owner.

There are a few tense moments -- the bloody shower scene ain't bad -- but the writing is atrocious. If you're not a die hard horror fan, give this one a pass.

The Power of Wind

This video, created by Nordpol+ for the Wind Energy Initiative, was one of the excellent advertisements that lost out to Ogilvy's "Evolution" advert for Dove at the 2007 Cannes Lions.


Other contenders for the Grand Prix include "Paint" for Sony Bravia by Fallon London and "I Feel Pretty" for Nike by Weiden + Kennedy.

MTV Unplugged reborn, will stream video

(via yPulse) MTV is bringing MTV Unplugged back, and the new version will have content streamed on the web and to cell phones, natch.

Top 5 stoopid YouTube questions for politicians

Like I've said before, YouTube is bad for politics. The granular level of participation induces a level of pandering which, at best, leads to a John McCain "bomb Iran" moment (useless political theater) and at worst results in Hillary Clinton's woefully-insipid campaign song videos and Barak Obama ringtones. The new YouTube politics is entertainment. Pandering entertainment that contributes nothing -- absolutely nothing -- to civic discourse. And if you think it's bad now, wait until next Spring when Mark Burnett launches his political reality show, Independent, on MySpace.

So I'm really enjoying this top 5 post by 10ZenMonkeys: "While it’s morbidly amusing to imagine candidates groveling for LonelyGirl15’s endorsement, YouTube is slyly attempting to appear democratic without actually accomplishing anything. But maybe that’s YouTube’s cynical comment on democracy itself. Maybe they’re imagining the event’s slogan as: “It’s participatory! It’s YouTube! And it’s stupid! Just like voting…""

p.s. Check this article at the Economist, which gives a nice overview of the situation but provides absolutely no critical analysis.

Cult of the amateur

Andrewkeen I'm going to buy Andrew Keen's book Cult of the Amateur today, because I think he's a disgruntled ninny who conflates nostalgia for the relatively simple media of yesteryear with quality of that same media. In this video interview he argues that the explosion of user-generated content means we're "fragmenting the media" and "losing the message." Not sure what message he means, unless it's the one promulgated by a few large media concerns. Can't say that's a drastically better solution.

That said, I'm sympathetic to some of his arguments, if only because our society hasn't yet taken a close look at the consequences of me-powered media. While it's possible to assess the economic value of amateur content's popularity -- YouTube bought by Google, investment in other video sites, actors and singers hired off MySpace, content deals, etc. -- it's much more difficult to understand the cultural consequences of these changes. So it's important to have malcontents like Keen, shouting alarum.

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